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Focused Community Strategies (FCS) — Follow-Up Sequence

Target: Focused Community Strategies (FCS) — fcsministries.org — place-based community development nonprofit serving Historic South Atlanta and Thomasville Heights since 1978

Contact: Joi Jackson, Director of Development (primary) — joi@fcsministries.org · (404) 627-4304 · IG @fcsatlanta

Channel(s): Email (primary); Instagram DM for the shorter touches

Source first-touch: registry/leads/drafts/focused-community-strategies-outreach.md

Generated: 2026-09-19 (night-shift)

Assumes: no reply to the first touch (free 60–90 second piece offer)

Register: development director at a place-based community development nonprofit; storytelling that serves donor cultivation, annual-report/impact communication, and grant support, not a commercial sell


Cadence

| Touch | Timing | Channel | What it delivers |

|-------|--------|---------|------------------|

| 1 | D+5 after first touch | Email | The number-vs-face gap in impact reporting; a concrete "morning at Carver Market" story idea as a donor-retention asset |

| 2 | D+12 | Email | Free one-page "One Block, In Place" story-series concept (Appendix A) |

| 3 | D+20 | Email (or DM) | Honest proof points: the L5P series (putting together) and mission-driven media work, Detroit Action included |

| 4 | D+28 | Email | Year-end timing hook: turn one impact number (a repaired home / a Haven move-in) into a "your giving did this" asset |

| 5 | D+36 | Email (or DM) | Door-open close, no ask |


Touch 1 — The number-vs-face gap (D+5)

Subject: the report lists the numbers, the face is what a donor remembers

Joi —

>

The 2025 Annual Report lists 84 apartments at Haven, 38 homes repaired, 24 Start:ME entrepreneurs. A donor reads that column once and forgets it.

>

The thing that makes a donor give again is one face behind one of those numbers. A 60-second cut of a morning at Carver Market, or a Start:ME entrepreneur in their first shop, does more for retention than the whole table.

>

If there's one story in that report you'd point a camera at first, that's where I'd start.

~90 words. Leads with FCS's own published numbers and the "Stronger Together" annual report, then names two concrete story ideas drawn from the operating businesses (Carver Market, Start:ME). Does not re-offer the free shoot as the lead; "you pick it" carries forward from the first touch. Frames everything as donor retention, which is a development director's problem, not a video pitch.


Touch 2 — Free asset: the one-page concept (D+12)

Subject: a one-pager you could hand to a program director

Joi —

>

I put together a one-page concept for an FCS story series, "One Block, In Place." It's written so you could hand it to a program director at a pillar meeting, or drop it into the next annual-report planning conversation.

>

It's below, the whole thing, no strings. If the "one story a month" rhythm reads like something that'd serve your donors and your grant applications, that's the part I'd want to build with you.

>

— Brandyn
Ghost Coast Video · ghostcoast.video

The one-pager is Appendix A below. Self-contained, ready to paste into an email or drop into a PDF/Google Doc. The "pillar meeting" and "annual-report planning" references are FCS-specific (four pillars, published annual report), not a copy of the Midtown/EABA one-pager framing.


Touch 3 — The proof points, honest (D+20)

Subject: what I'm learning filming mission-driven work

Joi —

>

I'm putting a short interview series together over in Little Five Points right now, and I'll be straight about where it stands: early. No finished episodes yet.

>

What I know from the media work I've done, Detroit Action included, is that a development shop doesn't need a production budget to start this. The stories are already in the neighborhood. It's a matter of pointing a camera at them.

>

When the first L5P cuts land I'll send you one, so you can judge it instead of taking my word.

>

— Brandyn
Ghost Coast Video · ghostcoast.video

~100 words. Claims only what's true: the L5P series is "putting together," no episodes, no metrics. Detroit Action is held at "media work I've done" — a fact, not a results claim. The "you don't need a production budget" line is aimed at a nonprofit development shop, distinct from Midtown's "what opens the door" and EABA's "volunteer orgs" angles.


Touch 4 — Year-end timing hook (D+28)

Subject: one repaired home is a better year-end story than the count of 38

Joi —

>

One timing note, then I'll get out of your way. As the year-end letters and the next annual report come around, the hard thing is making "38 homes repaired" land as something a donor can feel.

>

The fix is a single home, a single neighbor. A 60-second piece on the senior whose house got repaired, or a family walking into their Haven apartment, turns the count into a "your giving did this." That's the asset that earns the second gift.

>

If the calendar's already locked, no problem. The stories keep either way.

>

— Brandyn
Ghost Coast Video · ghostcoast.video

~95 words. Uses FCS's own published numbers (38 homes repaired, Haven at South Atlanta) as the seasonal hook. Does not assert specific dates or that a 2026 report is in production; "as it comes around" keeps it safe. The "count into a 'your giving did this'" angle is the donor-cultivation register, distinct from EABA's conversion story and Midtown's footage-library story.


Touch 5 — Door-open close (D+36)

Subject: leaving the door open

Joi —

>

I've sent a few notes over the last month and won't keep them coming if the timing's off. A development shop's got enough on it.

>

The offer stands as it was. If FCS ever wants its block on camera, I'm around. And when the Little Five Points series is actually finished, I'll send you a link anyway. It's the honest version of what I've been describing.

>

— Brandyn
Ghost Coast Video · ghostcoast.video

~70 words. No ask, no recap, no guilt. Closes on the honest forward promise (the L5P link), which doubles as a reason to keep the thread.


Flags — read before sending

1. Channel. Email to joi@fcsministries.org is primary. The shorter touches (3 and 5) can go as Instagram DM to @fcsatlanta. Pick one channel per touch; don't double-send.

2. Verify Joi Jackson is still Director of Development before Touch 1. The Who We Are page publishes her email directly, but roles rotate. If she's moved on, Marvin Nesbitt Jr. (President) is the top-level alternate and Stasea Waller (Development Manager) is the team-level alternate.

3. Touch 1 names no specific person or business. If Brandyn knows a specific Start:ME entrepreneur or a Carver Market regular worth leading with, he can name it; otherwise keep "you pick it."

4. Touch 3 must stay at "early / putting together / no finished episodes" for L5P, and "media work I've done" for Detroit Action. Do not upgrade either to finished episodes or results until that's actually true. This is the touch most at risk of overclaiming.

5. Touch 4 references year-end letters and the next annual report generally. Do not assert specific dates or that a 2026 report is in production; frame it as "as it comes around."

6. Do not imply FCS is a current client anywhere. It's a cold prospect. The only orgs named in this sequence are FCS itself, Little Five Points (the series), and Detroit Action (as a factual prior relationship, held at "media work I've done").

7. Stop the moment they reply. This is a conversation, not a drip. Any response restarts as a real thread and the remaining touches get dropped.


Appendix A — "One Block, In Place" one-page concept

The deliverable for Touch 2. Self-contained; paste into an email or drop into a PDF/Google Doc.


One Block, In Place — a story-series concept for Focused Community Strategies

What it is. A short video feature, one FCS story at a time. A person in their place — an entrepreneur in their shop, a family in their apartment, a neighbor whose home got repaired — then a 60-second cut they can use anywhere.

Why it fits the work. FCS runs on four pillars, but donors give to places and people, not pillars. "One Block, In Place" makes the place-and-person story the unit of communication instead of the program count. It's also the kind of evidence a grant report wants. Funders read spreadsheets all day. Faces beat numbers.

Story starters, straight from FCS's own work.

What a donor gets.

What FCS gets.

How it runs. One story a month, shot in place, no production footprint on the staff. FCS picks the story. The story comes out of whatever the person actually cares about. No staff time, no production budget to get started.

Where to start. The first one is on Ghost Coast Video. After that, the rhythm gets figured out together.


Notes for Brandyn