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Talat Market — Follow-Up Sequence

Target: Talat Market — 112 Ormond St SE, Atlanta GA 30315 (Summerhill); "Georgian Thai" restaurant

Contact: Chef-owners Parnass Lim Savang and Rod Lassiter (both named in Eater Atlanta, Yelp, and So Atlanta Store)

Channel: Instagram DM @talatmarketatl (primary — no published email, no contact form; the site is a splash page that says "Contact info coming soon"). Alternate: phone 404-257-6255. Reservations run through Resy.

Source first-touch: registry/leads/drafts/talat-market-outreach.md + targets.md E9

Generated: 2026-09-20 (night-shift)

Assumes: no reply to the first touch (the free 60–90 second reel offer)

Register: a small, independently owned, chef-driven restaurant with two working chef-owners and a community-supported origin story. Chef-and-craft storytelling, the origin/community story, the room during service, and the neighborhood/regulars angle. Not a nonprofit register, not a hard sales push.


Flags — read before sending

1. No published email. The site (talatmarketatl.com) is a splash page with "Contact info coming soon" — no contact form, no inbox. Instagram DM @talatmarketatl is the primary channel. The phone 404-257-6255 (from targets.md) is the fallback, and it is a call/voicemail channel, not a text-DM channel. One channel per touch — do not double- or triple-send the same touch across IG and the phone.

2. No Michelin star or Bib Gourmand tier. The E9 row says "Michelin-recognized." The first-touch draft deliberately stays at that level and does not cite a star or tier. Keep it at "Michelin-recognized" in every touch. Do not strengthen it.

3. Chef-owner names confirmed. Parnass Lim Savang and Rod Lassiter are both published and safe to address by first name. There is no separate marketing, events, or GM contact published, so the greeting stays "Parnass and Rod."

4. Do not imply Talat Market is a client. It is a cold prospect. The only orgs named as real prior work in this sequence are GCV's own event-documentation work (held soft as "a speaker series" / "mission-driven storytelling work"), never framed as a client relationship and never as a results claim.

5. Only the published facts. "Georgian Thai" means Thai technique with Georgia-grown produce, rotating with the season. The origin is a weekend pop-up at Gato that grew into a brick-and-mortar inside an old neighborhood market on Ormond Street. No invented metrics, review counts, menu items, prices, staff beyond the two chef-owners, event dates, awards, or quotes.

6. The free first piece is already on the table. These touches do not re-offer the free reel as the lead of every touch. Each one adds a new angle.

7. Keep each touch short. These are DMs. Stay under ~100 words per touch. The Appendix A text is too long for a single DM — send it condensed or as a Google Doc link.

8. Stop the moment they reply. This is a conversation, not a drip. Any response restarts as a real thread and the remaining touches get dropped.


Cadence

| Touch | Timing | Channel | What it delivers |

|-------|--------|---------|------------------|

| 1 | D+5 after first touch | IG DM | The craft angle: the two chefs at the pass on a full night |

| 2 | D+12 | IG DM | Free asset: "two chefs, one service" shot list (Appendix A) |

| 3 | D+20 | IG DM | The seasonal turn: Georgia-grown produce coming in, why the menu changes |

| 4 | D+28 | IG DM | The regulars who carried the pop-up, plus the Q4 fall-to-holiday window |

| 5 | D+36 | IG DM | Door-open close, no ask |


Touch 1 — The two chefs at the pass (D+5)

Channel: Instagram DM @talatmarketatl

Parnass and Rod — a Resy page can list the hours and the address. What it can't show is the two of you at the pass on a full night, the room moving around you.

>

Thirty seconds of that, both of you working, plates going out, is the difference between "bookmarked" and "booked tonight." That's where I'd point a camera first.

>

If it's not the right time, no harm.

~65 words. Leads with the craft of the two chefs working, not the origin story the first touch already used. Concrete imagery (the pass on a full night, plates going out). Carries the "you pick it" thread forward without re-offering the free reel as the headline.

Alternate channel (phone 404-257-6255): leave a voicemail or catch them during a quiet hour. Same through-line, spoken: "This is Brandyn, Ghost Coast Video. I sent a note about shooting short film at Talat — the thing a Resy page can't show is the two of you at the pass on a full night. If there's ever a night worth thirty seconds of film, call me back." Keep it under 30 seconds. Do not send this as a text.


Touch 2 — Free asset (D+12)

Channel: Instagram DM @talatmarketatl

Parnass and Rod — I put together a short shot list for your side of it: how to turn one dinner service into a 60-second neighborhood piece on the phone already in somebody's pocket. It's written so whoever's on the floor that night could run it.

>

It's in Appendix A below, no strings. If the list reads like something you'd rather hand off than shoot yourselves, that's the part I do.

~65 words. Delivers the free asset without asking for anything. Appendix A is self-contained and mentions nothing GCV needs.


Touch 3 — The seasonal turn (D+20)

Channel: Instagram DM @talatmarketatl

Parnass and Rod — the "Georgian Thai" thing means the menu turns with what's actually in season here. A static page flattens that into a menu PDF. It can't show a crate of Georgia produce coming in the back, or the two of you deciding what it becomes that week.

>

One short piece when the season turns, summer into fall, shows people why the menu changes instead of just that it does.

~70 words. Grounded in the published "Georgian Thai" definition — Thai technique, Georgia-grown produce, rotating with the season. The summer-into-fall turn is a real seasonal moment, not a named event date.


Touch 4 — The regulars who carried the pop-up + Q4 (D+28)

Channel: Instagram DM @talatmarketatl

Parnass and Rod — the part of the story that never makes the menu is the regulars. The people who ate at the Gato pop-up and kept showing up until there was a room on Ormond Street to walk into.

>

And fall turns into the holidays fast, gift cards and regulars bringing out-of-town family to their spot. A regular on camera does more for a neighborhood room than any photo of a plate, and it works all winter.

~75 words. The community angle — the regulars who carried the pop-up into the brick-and-mortar — which is the origin story turned toward the people, not re-run as the lead. Folds in the real Q4 fall-to-holiday neighborhood-dining and gift-card window without naming a specific date.


Touch 5 — Door-open close (D+36)

Channel: Instagram DM @talatmarketatl

Parnass and Rod — I've sent a few notes and won't keep them coming if the timing's off. Running a room keeps you both busy enough.

>

The offer stands. If Talat ever wants the two of you, the room, or the regulars on camera, I'm around.

~45 words. No ask, no recap, no guilt. Ends warm and leaves the standing offer intact.


Appendix A — Two chefs, one service

The deliverable for Touch 2. Self-contained; paste into a DM (condensed), a note, or a Google Doc. Written for whoever's working the floor, phone in hand.

What this is. A working way to turn one real dinner service into a 60-second neighborhood piece people actually watch. No production budget. Whoever's on the floor that night shoots ten shots on a phone; you cut them together on the ride home.

The ten shots, in order.

1. The room before doors, tables set, lights down.

2. Produce coming in the back — the Georgia-grown stuff the week's menu turns on.

3. The two chefs at the pass, working.

4. A plate in the window, close, one dish.

5. The bones of the room — the old market on Ormond Street, the part that's still there.

6. One regular's table, if they'll be on camera, one line is enough.

7. The pass at full tilt, plates going out.

8. The two chefs at the end of the night, doors locked, lights down.

9. The sign as you leave.

10. The next crate in, whatever the season turns to.

Cutting it. Hold each shot two or three seconds. Drop the sound and lay one track under it. Sixty seconds is ten shots, one track, done. Don't caption every frame; let one shot do the work.

Why it works. A menu photo can't make someone feel the room at 7:30. The two chefs at the pass, produce coming in, a full room, the regulars who carried the place — that can. The person who watches it doesn't get the tagline, they get the room and the two people who built it. And the piece quietly does the asking for the next table.


Notes for Brandyn